Korn’s Follow the Leader, Two Decades On By ELI JACE > The year is 1998. Jonathan Davis barks back at a speeding bullet, sending it back through…
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REVIEW: “Darkness Sunshine” by New Indiana By ELI JACE > Darkness Sunshine, the debut album from New Indiana, is folk music for the soundscape of dreams. The sort…
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FILM REVIEW: The Icarus Line Must Die By ELI JACE > “Everybody in your band has been psycho,” Joe Cardamone’s wife, Charlotte, reminds him in the new…
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REVIEW: “Volume 1” by Bogie, Kaufman and Mann By ELI JACE > Volume 1 from the trio Bogie, Kaufman and Mann is an unpolished gem of improvisation. Released…
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REVIEW: Celebrating David Bowie By ELI JACE > When planet earth lost its Starman David Bowie in 2016 the landscape went dark. The man…
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The Music of 2017 “That’s the way the guillotine claps.” 2017 was a turnip of a year. Leaves sprouting in dirt. Absurdity and tragedy…
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REVIEW: “Material Control” by Glassjaw By ELI JACE > All hail the return of Glassjaw. 15 years is a long time to gnaw on the…
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REVIEW: “Masseduction” by St. Vincent By ELI JACE > Annie Clark tries to pogo the sadness away on new album. For a few weeks I…
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REVIEW: “Living Arrangements” by Color Film By ELI JACE > Singer Daryl Palumbo steps out with new group Color Film. Since the razor blade menacing of…
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“It’s Good to Get High.. by ELI JACE > “…And Never Come Down” – Tom Petty. While Tom Petty lay in a coma, the world…
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Nirvana Is The Key by MATT BACON > What if I told you the most influential rock band of the last thirty years was…
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Nobody Knows Anything by MATT BACON > The most frustrating part of the industry is dealing with the fine fact that you can’t…
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